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Reverting Literary Property When Publisher Allows it to Go “Out of Print”

In consideration for publishing and distributing an author’s work and for the risk that revenues from publication will fall short of expenses publishers take an exclusive license for the term of copyright subject to two forms of termination and reversion: by statute and by contract. I have discussed statutory termination in an earlier Note. Under [...]

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Unintended Perils of Collaboration from Ambiguous and Incomplete Agreements

Literary collaboration is a marriage of convenience. The parties have to preliminarily agree to their separate and joint responsibilities for the completion and submission of their work. What they think they know and can trust about each other is likely to be more than their ignorance of the other person’s work habits and literary abilities. [...]

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Protecting Creative Material in the Entertainment Industry: Not all Registers Are Equal

Authors ask whether they can protect their ideas by which they mean the conception rather than the expression. The answer is that copyright law protects ideas only to the extent they are organized in a creative way and fleshed out in language. When the question is put in the context of television and movie properties [...]

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Self Help: What is a Take Down Notice and How Does it Work?

The principal legal mechanisms for protecting copyright of works recopied on the Internet without permission and in violation of an author’s copyright is laid out in the Digital Millennium Copyright Act (DMCA). The major aggregators of content have developed policies and take down forms in compliance with the DMCA. If a copyright owner finds unlawful [...]

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Copyright Protection of Works Included in Compilations and Collections

Copyright law protects authors who have registered their works. They are generally well attuned to copyright for their separately standing works, but less so when it comes to shorter works accepted for publication in compilations such as collections and anthologies. Section 103 (a) of the Copyright Act states that “[t]he subject matter of copyright … [...]

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Falling Into and Out of the Public Domain

Once in the public domain content (which includes characters) is free; to copy or create derivative works. P.D. James’ Death Comes to Pemberley and a continuing stream of novels featuring Sherlock Holmes are recent examples. Until works fall into the public domain content and characters are not free. They are copyright protected. Authors (defined in [...]

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Ownership of Copyright for Joint Works

The Copyright Act §101 defines a “joint work” as “work prepared by two or more authors with the intention that their contributions be merged into inseparable or interdependent parts of the unitary whole.” Embedded here are several difficult concepts. “Intention” from whose perspective? And, what contributions qualify for joint authorship? The questions are important because [...]

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Does the Phrase “In Book Form” Include Grant of EBook Rights?

In agreeing to publish a work publishers typically demand author “grant and assign” it an exclusive license to “print, publish and sell” the work for the “term of copyright and all continuations, extensions, and renewals thereof” in stipulated languages and territories. In modern publishing agreements the language is clear that the grant extends to digital [...]

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The (Un)Satisfactory Manuscript

Revised and re-posted September 4, 2012.

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False Memoirs, Deliberate Misrepresentations, Breaches of Contract and Fiduciary Duty and “Extraordinary” Fraud

What better to start the New Year than with grimy tales about authors, literary agents and publishers? It cannot truthfully be said that in the annuls of publishing there has not been deliberate misrepresentations, breaches of contract and “extraordinary” fraud. One such (you may remember because it reached the pinnacle of daytime entertainment with the [...]

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